Initially, Jung was concerned that his ideas were predicting the beginning of a psychosis. But on later reflection and earth activities, he thought they truly were warning him in regards to the nearing earth war, which started in July of 1914. Just after these troubling pictures, Jung identified going through a time of serious turmoil and self-reflection, attempting to find a method through the landscape of his own desires, his fantasies, and their relationship to his living, to his perform, and to political and cultural events unfolding for the duration of Europe. In his autobiography he wrote: "I was residing in a continuing state of anxiety; frequently I believed as if big prevents of stone were tumbling down upon me. One thunderstorm used another." **
First we need to place Jung's visions in to the situation of his life at the time. Jung was in a turbulent transition; he was making the "common world" of Freud's psychology and impressive out by himself, beginning to enter the forest wherever there obviously was no path. He was stepping to the unknown and into his traditional living, and then he gets the visions.
Next we require to imagine the photographs and the geography in his vision as the floor of his mind, the landscape of his life at that time. And, subsequent Jung's well-known admonition to "leave your theories at the door," we is likely to do our most readily useful to allow the photographs to talk for themselves. If you're to assume being the "huge flooding," you're an elemental, strong, unstoppable, organic power that some serious cataclysmic function has established a surprise wave, a religious tsunami, moving up out and within the land. The ideological surfaces of tradition can not restrain or include that aroused sea. From an alchemical perspective, the seas melt Jung's former living therefore that a new being, a far more genuine Jung may emerge.
For Jung, many of Freud's constructs in regards to the unconscious and desires, the structures that had contained Freudian psychology were collapsing. Now the flood begins to experience similar to Jung's creative living and all that it covered hitting theaters, separated from the limits of Freud's psychology--opening the ton gates of his potential. The seas cover all of the "low-lying lands," which could mean all the most popular floor of common psychology wherever nothing sticks out; the areas of Jung's living by which he felt he had to set minimal, evolve, stick to an amount enjoying area with Freud were now in chaos. Graham Hancock
Jung existed in Switzerland, his house and where, in his desire, the hills "became larger and larger to protect our country." The dream's rising hills about Jung's home-land might effectively be saying that by climbing over the low-lying places, by ranking out along with his possess idea, that his "homeland," meaning his living, his reliability, and his innovative possible will truly be protected. The flooding is following the low-lying lands--conformity and the tendency in all of us to pay our creative ideas, telling ourselves, "That strategy won't ever work. What makes you think you possibly can make any huge difference anyway? We are scared to opposed to the world's recognized doctrines, to go upstream against the current of common ideas. So we "lay reduced," maintaining our reliable living in exile in the "low-lying" land. We are scared to "exist," which also methods to "stay out."